Architecture (125)

Sustainable Community Thriving After 10 Years

Almost 15 years since the sustainable community of Serenbe built its first home, the modern-day green utopia is still thriving. Located just southwest of Atlanta, Serenbe is an experimental green community designed by architect Dr. Phill Tabb, who lives on site in a net-zero home. The progressive neighborhood, hidden amid 1,000 acres of natural forest landscape, was created with four main pillars in mind: arts, agriculture, health, and education.

In 2001, architect Dr. Phill Tabb designed the masterplan for Serenbe Community — a sustainable neighborhood set in a natural landscape, but with connections to the typical urban amenities. One of the core pillars of the community’s plan was land preservation. Accordingly, the homes were built into strategic locations throughout the hilly landscape that would minimize the impact on the surrounding environment and give residents easy access to nature…

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Yogan's Photo of Gaudi's Work

Photo by our friend, French carpenter yogan, of The Church of Colònia Güell, an unfinished work by Antoni Gaudí. It was built as a place of worship for the people in a manufacturing suburb in Santa Coloma de Cervelló, near Barcelona.

See yogan’s blog for many more photos of Gaudi’s work, as well as of other unique buildings in different parts of the world.

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Urban Treehouse 63-Unit Apartment Building in Italy

…The undulating structure creates a transition from outdoors to in, holding 150 trees that absorb close to 200,000 liters of carbon dioxide an hour. This natural absorption brings pollution protection to its residents, helping to eliminate harmful gasses caused by cars and harsh sounds from the bustling streets outside. The trees’ seasonal progression also creates the ideal microclimate inside the building, steadying temperature extremes during the cold and warmer months…

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Timber Owl Cabin in the French Countryside

Imagine hiking through the greenery around Bordeaux, France, and coming upon a magical little house in the shape of three owls. We’re guessing you’d want to stay awhile, and that’s the point. Les Guetteurs (The Watchers) is one of six oddball, off-grid huts in the Refuges Périurbains (Peri-urban shelters), a program intended to draw curious guests to discover new areas on the edge of the city (a similar project has also taken hold just outside of Copenhagen.)

Designed by Candice Pétrillo and constructed by the French workshop Zébra3/Buy-Sellf, the building was made to resemble a group of small, ground-nesting owls that live in the wetlands around the structure. From the exterior, the timber building looks like a huddle of three owls, their eyes made of large round windows and feathers made from long strips of bent plywood and shorter plywood shingles…

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Nonagan Yurt Treehouse



I spent the weekend at Mountain View Air B&B building a canted-wall nonagon yurt treehouse! I worked with SunRay Kelley, Bonnie, Bob-O, and Tyler Smith. This was such a fun project. I spent one weekend helping assemble the walls for the kit; SunRay and his team did the rest during the week; and last weekend, we built the platform and erected the nonagon yurt.

–Travis Skinner

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The Temple of Promise Built for Burning Man

Temple of Promise, the unbuilt temple for Burning Man 2014

Lloyd,

Humans’ first large structures were long houses. Simple pit houses with a circle of lengths of branches or trees were expanded for larger groups by taking those same short spans and arranging them along a line: a Long House. These basis structures are indigenous to almost all ancient cultures. I felt that the temple at burning man needed to be a reference to our most ancient structures; well before the rise of organized religions. These were spaces for the first assembly of a tribe. A time when we all knew each other, when we all built the building, and we all shared risks, adventures, celebrations and solemn moments. The Temple of Promise was about simplicity of sharing as a group.

When I was 15 or 16, I found Shelter in the local library on the same shelf as Frank Lloyd Wright. The two sets of images gripped my and never let go. Wright’s work was both art and craft mixed with aspiration, while Shelter was accessible, immediate and endearing. My copy of Shelter was worn at the edges within a year was very quickly pile of loose but revered pages. Thirty years later, after working in the trades, completing architecture school, and working in the East Coast, Europe, Asia and Australia and moving to the West Coast, I opened boxes of old possessions. Shelter greeted me from the pile. You can only imagine my joy when I realized that it was written and published just a few miles from where I now called home. I can never fully express the joy and insight Shelter has given me. It gave me a direction and remains a strong reference in my life.

Thank you, Lloyd Kahn,
–Ross

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